Get ready for ShyneFest, a fun friendly family event in Guildford on May 31st and June 1st for two days of music and merriment
Imagine having more than 250 people at your 40th birthday – that’s exactly how Shyne Adcock celebrated her milestone in 2015 and since then ShyneFest has grown to welcome many hundreds more.
The Friday kicks off with tribute acts Faux Fighters, The Marley Experience and Counterfeit Kylie and returning after their success at WynterFest 2023 are Sorted for Cheese and Fizz bringing their 90s Britpop and indie classics.
Saturday has more music than you could well, shake a drum stick at, and if it’s Good Enough for them, it’s good enough for me as Dodgy are back and this time are they Staying Out for the Summer? And that’s not all with another 16 acts lined up to entertain from 11am through to 11pm – 12 hours of brilliant music to get you up on your feet and having fun!
There’s fun for the young ones in the Kidz Zone with a climbing wall, bubble fairy, football, little racers, circus skills workshops, face painting, glitter tattoos and hair sparkles, story time and stilt walkers.
If you’re having so much fun you don’t want it to end how about camping or glamping the two nights at Merrist Wood. Turn up the glam with a two, four or six person canvas tent, either traditional Bell tents or the elegant Touareg tents, in the style of the Nomadic tribes of North Africa. Camel Camp build lovely camps at all kinds of events, complete with a reception tent and central meeting, seating and shade areas as well as tea, coffee and cereal to get you started.
Choose a Classic or Sultan style, both with floor rugs, door mats, airbeds and solar lights with full bedding, camp chairs, side tables and more in the Sultans.
Look to the skies on Saturday May 18th for thrilling day of aviation and much more.
The annual Air and Country Show is set to return to the former RAF Abingdon on Saturday, May 18th. The event, which has grown beyond all recognition over the years is organized by a dedicated team of volunteers led by a small committee.
The event promises a thrilling day for aviation enthusiasts and families.
The highlight of the show will be an impressive afternoon Air Display featuring a lineup of spectacular aircraft, including:
Supermarine Spitfire Mk19
The Titans Display Team
Muscle Pitts aerobatics accompanied by an exhilarating car race
Hawker Hurricane Mk1
The Gazelle Display Team (consisting of four helicopters)
RAF Falcons Parachute Display Team
RAF Battle of Britain Memorial Flight Spitfire & Hurricane for flypasts
These display aircraft will also be available for static viewing, alongside specially invited statics such as the Historic Army Aircraft Flight Beaver & Auster, Chipmunk, Sioux, Skeeter & Scout, and Navy Wings’ Harvard.
One of the main highlights of the show is the large aircraft Fly In, with over 50 modern and historic aircraft flying in for display on the ground, ranging from Tiger Moths to the impressive RAF C17 Globemaster transport (to be confirmed).
For those seeking a unique perspective, Northumbrian Helicopters will offer Pleasure Flights from the showground, providing bird’s eye views of the airfield and Oxford City outskirts. There’s plenty of ground-based fun too with plenty of entertainment for all the family. This year there’s a real mix of fun, including The Radio Days Big Band, Rescue Husky dogs, Radio Controlled Model Jets, farm animals, vintage fire engines, and…ferret racing.
There’s much more besides, and it should be a day filled with excitement and entertainment for all ages.
For more information and tickets visit the show’s site.
Feel fresh this year with a crop of palate pleasers – Giles Luckett reviews some seasonally appropriate wines
Spring is in the air. Well, spring rain is in the air at least, and the new season calls for a fresh crop of wines. For this month’s column, I’ve looked for classics that will pair with the new season’s produce alongside a couple of head turners that you may not have encountered before. Anyway, enough preamble, let the recommendations flow…
I’ll start with a wine that’s always been synonymous with spring, Muscadet. One of the breakthrough wines of the ‘60s and ‘70s, Muscadet played a big part in turning the UK into a nation of wine lovers. At its best, it’s as fresh as a spring morning, with citrusy fruit offset by a yeasty tone and a taste of the sea that makes it the perfect partner to fish and seafood – it’s glorious with new season oysters. The Adnams Muscadet (Adnams £9.99) is as a delicious example of this classic wine, providing the complexity that many a more expensive Chablis can only dream of. Dry, crisp, and loaded with green apple, melon, and greengage fruit, the creamy-saline finish makes for a surprisingly satisfying glassful.
Next up the first of two Rieslings. Riesling is invariably an excellent wine, but many people are put off as they think it will be sweet. Riesling is capable of astonishing sweet wines such as the fabled Trockenbeerenauslese from Egon Mueller (a snip at around £10,000+ a bottle), but most New World producers focus on producing crisp, dry wines that are as food-focused as my Springer Spaniel. A great example is the VillaMaria Private Bin Riesling (Waitrose £10.99). White gold, the piercing bouquet comprises of apple blossom, citrus, and white peaches with a suggestion of honey and lime. On the palate, it’s just as complex, with green and white fruits vying with minerals and a rapier-like grapefruit acidity. This is just the thing for new- season asparagus or a herby spring chicken.
Staying with Riesling, we have something that shows this grape’s incredible range. The Empire Estate Dry Riesling Reserve (Good Wine Good People £34.50) hails from New York’s Finger Lakes region. This is an arresting iteration of Riesling that nods at France’s great Alsace Rieslings in its dryness and piercing intensity, but it is very much a Finger Lakes wine in its sophisticated, slightly idiosyncratic style. Pale green-gold with an evolved nose of candied lemons, grapefruit, apple blossom, and a green herb bitterness, it seems to change with each inhalation. In the mouth, almond-tinted grapefruit leads the fresh, tangy attack. This is followed by ripe pears, peach stones, a white peel bitterness, and a very fresh, lemony acidity that’s mellowed by honey and minerals. This is a wine to buy by the case and see how it evolves over the coming decade.
Viognier is an interesting, not to say mercurial grape. In California, it can produce buttery behemoths, while in South Africa it tends towards leaner, cleaner wines. In its home of France’s Rhône Valley, it can produce wines that combine freshness with depth, power with finesse as showcased by the Chapoutier Combe Pilate Viognier (London End Wines £15). Opening up with a surprisingly subtle nose of apricots, oranges, and bergamot against a background of citrus, it was love at first sip. Supercharged with fruit and very fresh, it quickly develops in the mouth revealing juicy apricots, peaches, and vanilla spice that contrasts beautifully with the firm mineral and lemon finish. This would be lovely with baked white fish, pan-fried poultry, or salmon.
A good Chardonnay is always a treat and is the ideal foil to spring staples such as roast pork, goats’ cheese and rocket salad, or roasted guinea fowl. I recently tasted one from Austria, the Allacher Chardonnay Reserve (Good Wine Good People £24). I’m a big fan of Austrian wines, though my experience has been largely confined to their stylish Rieslings and brilliant Gruner Veltliners. This was an unusual and delicious take on this noble variety. Deep gold, the nose brims with honey-coated tropical fruits with a soft, perfumed edge. Big and bold, the generous palate has a creamy texture and is suffused with baked apples, apricots, honeydew melon, vanilla, and spices before the fresh, zingy finish adds a refreshing balance.
Sauvignon Blanc is another great spring wine. Its freshness and easy drinking nature means it lends itself well to garden sipping or as a partner to new season treats like steamed Jersey Royals, creamed broad beans, or roasted celeriac. Sauvignon grows well all over the world except for Tasmania, apparently, where a leading winemaker told me it was a ‘weed that needs grubbing up’. I touched a nerve there, it seems. South African wineries are better disposed to it and when you taste wines like the Journey’s End ‘Eagle Owl’ (Majestic £9.99) it’s easy to see why. Rhubarb and gooseberries are the signatures of this weighty, rounded Sauvignon. The nose is bright, zesty, and suitably intense, but – as with the body – it’s not green peppers and citrus that dominate, there’s more to it than that. Over a bedrock of acidity is overlain a tart-sweet tone of stewed rhubarb with a sherbet edge and some riper flavours from the gooseberries, giving a wine that’s refreshing and seriously good fun.
I’ll finish on a patriotic note with an English wine, the Denbies Chardonnay 2022 (Denbies £24.50). When I started in wine, England’s vineyards were just about getting marginal grapes like Müller-Thurgau – which usually tastes as good as it sounds – to produce something. Roll forward thirty years and leading English wineries like Denbies are being spoken of by the likes of Oz Clarke as being capable of giving Burgundy a run for its money. On the evidence of this, I think he has a point. The nose is creamy, nutty, fruity, and harmonious with the rich red apple and peach fruit freshened by lemon and lime. On the palate, it has a lovely peachy texture that displays nectarine, red apple, and lychees with a honey and lemon coating. Thoroughly impressive it shows that English wine, not just English sparkling wine, is capable of being a world-beater.
Well, that’s it from me for now. Next time I’ll be joining in the World Malbec Day celebrations and running down (bigging up) my top ten Malbecs.
Guy Deacon CBE will be appearing at Oxford Literary Festival this Friday (22nd March) to talk about his forthcoming book and Channel 4 Documentary – Running on Empty.
Guy’s story is truly inspiring; the former British Army officer he drove from his home in the UK to Cape Town in South Africa ten years after being diagnosed with Parkinson’s disease.
The journey fulfilled a childhood dream to drive across Africa, whilst also raising awareness of Parkinson’s Disease which is heavily stigmatised in Africa where it is often linked to witchcraft and black magic, leaving sufferers ostracised by their communities.
Parkinson’s Disease is the fastest-growing neurodegenerative illness worldwide and has no known cause and no cure. By 2040, more than 13 million people will be living with PD – a quarter of them in Africa where the disease is little understood. On his journey Guy met with Parkinson’s sufferers in almost all the countries he travelled through and learnt what daily life was like for those sufferers that he met, but first he had to get there.
There are never more than a handful of vehicles a year attempting to drive from the North African coast to Cape Town in South Africa. Some never complete the journey. Conflict in Libya, South Sudan, the Central African Republic, the Democratic Republic of Congo, Mozambique, Ethiopia and Cameroon, make any journey exceptionally dangerous. In central Africa, road conditions, particularly in the rainy season make the going difficult and often treacherous. Add illegal checkpoints, extortion, contaminated fuel and lack of services and this was to be a huge undertaking.
Guy first set off in November 2019 making it as far as Sierra Leone in March 2020 when the COVID 19 epidemic struck. The borders were closed and after being stuck in Sierra Leone with no way out, Guy was evacuated by the British Government on an emergency relief flight leaving his trusty van behind. Many adventurers have setbacks on their journeys but for Guy, with each passing month that he waited in the UK for travel restrictions to lift, his Parkinson’s would advance and his mobility would deteriorate. By the time he restarted the journey two years later in March 2022 his condition had deteriorated significantly.
Parkinson’s disease affects mobility so the simplest tasks from emptying pockets, to tying up shoelaces became herculean for Guy. The day to day challenges of living in Africa, the condition of the roads and living in a relatively small space would be challenging to anyone let alone a Parkinson’s sufferer who struggles to move limbs and has to take every task incredibly slowly.
Several times throughout the 12 month journey Guy came close to giving up. The challenge left him both physically and mentally exhausted and as the days wore on, he found it more and more difficult to communicate and began feeling increasingly isolated and alone. He had a phone to keep in touch with friends and family, but with his limited dexterity it was often easier not to. In the end it was the kindness of strangers that restored his faith and spurred him on in his darkest hours.
There are countless examples of things going wrong and strangers stepping in to help and offering him a bed for the night. But each time Guy thought that the latest setback would be the end of the road and he would have to give up, there was always someone who would step in to help, a stranger reaching out to help him in his hour of need.
Throughout the 18,000 mile journey Guy kept a video diary and was joined on four occasions by a documentary maker. This has resulted in 85 hours of footage and several thousand photographs of this incredible adventure through the heart of Africa which will be made into a 1 hour documentary for Channel 4 to be released in Spring 2024.
Guy was supported throughout his journey by The Cure Parkinson’s Trusta charity set up to find a cure for Parkinson’s as well asParkinson’s Africa, whose mission is to raise awareness and empower those with Parkinson’s to make informed decisions about their own health.
At the festival, guy will be speaking with Matthew Stadlen to recount his incredible journey, crossing Europe and the full length of Africa, which took the former army officer and 60 year old father of two over 3 years to complete, see him drive 18,000 miles, across 25 countries, with 5 breakdowns, as well as one emergency evacuation from Sierra Leone during Covid, whilst taking 3650 prescription pills to help manage his Parkinson’s.
Further information on Guy’s event at Oxford Literature Festival can be found here.
Marc Burrows is bringing his celebration of Terry Pratchett to Norden Farm
Author, comedian and Terry Pratchett fan, Marc Burrows invites audiences to celebrate the 40th anniversary of the landmark comic fantasy Discworld series with his beautiful tribute.
In 2020, Marc penned the first ever biography of Sir Terry. The book received critical acclaim, won a Locus Award and was embraced by fans. This new, live multimedia show, based on the book, was then created with the full endorsement and support of Narrativia, the company founded to protect and promote the late author’s work in association with his estate.
The Magic of Terry Pratchett is a comic lecture in which Burrows explores Pratchett’s influences, his rise to fame, impact, and unique life, becoming one of the most beloved storytellers of all time. From the national treasure’s days as a school librarian, his time as a trainee journalist to his untimely death in 2015 and in keeping with Pratchett’s own style, the show is a gently comic celebration and exploration of his work. It will also seriously examine his death, and the activism he was involved with toward the end of his life surrounding dementia treatment and the right-to-die; an important part of his story and legacy.
In addition to using the framework of the The Magic of Terry Pratchett book, the show incorporates additional elements of Rob Wilkins’ official biography, Terry Pratchett: A Life in Footnotes, (A Sunday Times Bestseller) as well as licensed media.
Sir Terry Pratchett OBE is one of the world’s most widely read authors. Conventions dedicated to his work are held globally every year. His works have been translated into 40 different languages, sold 100 million copies and have been performed on stage on seven continents. John Lloyd was right when he said “of all of the dead authors in the world, Terry Pratchett is the most alive”. Pratchett’s short story The Abominable Snow Baby was adapted by Channel 4 as a Christmas Day animation in 2021. Sky released a feature film adaptation of his Carnegie Award winning book The Amazing Maurice in cinemas in 2022, and Good Omens, a TV series based on the book Pratchett wrote with Neil Gaiman, will have a second Amazon Prime season in the autumn.
Marc Burrows often writes on culture and social issues for The Guardian, New Statesman, Big Issue and Independent and his Edinburgh Fringe shows include The Ten Best Songs of All Time and Mind Your Head. Marc’s second book, The London Boys: David Bowie, Marc Bolan and the 60s Teenage Dream was published to considerable acclaim in 2022 and is in the early stages of adaptation into a feature-length documentary. Outside of writing and comedy, Marc plays in the cult punk band The Men That Will Not Be Blamed For Nothing, regularly performing at the Download, Glastonbury, Bestival and Latitude festivals and touring the UK and US.
The Magic of Terry Pratchett is at Norden Farm on 28th March. Tickets are available here.
AmEgos Theatre is the first company in Oxfordshire to stage the magnificent musical – The Hunchback of Notre Dame. The Victor Hugo classic tells the story of Quasimodo, who has been kept within the bell tower of Notre Dame for his whole life, but longs to be out there as part of the outside world.
When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob.
At the same time, Quasimodo’s guardian, Archdeacon Dom Claude Frollo, and the new Captain of the Guard, Phoebus de Martin, fall in love with Esmeralda.
Will Quasimodo be able to save Esmeralda from Frollo’s lust and anger? And who is the true monster of Notre Dame?
Using the magnificent surroundings of the medieval Wantage Parish Church as a backdrop to the story, and with a sweeping score and powerful story, audiences will be swept away by the magic of this truly unforgettable musical.
With some adult themes, this is not a show for very young children
All Performances will be held at Wantage Parish Church at 7.30pm from Thursday 4th April to Saturday 6th April with a Saturday matinee at 2.30pm.
There is a bar that opens at 6.45pm (and 1.45pm)
Seating is unreserved, and on church pews, so please bring cushions or blankets if required for your comfort.
Parking is in the nearby Market Square (limited spaces) and at The Portway car park – a five minute walk.
The events include inclusive talks, master classes and performances led by women and gender minorities in the music industry
The University of Oxford Cultural Programme has announced a series of Women in Music events in partnership with Girls I Rate on March 7th. The events will celebrate the many women leading the way in the music industry and ask why women remain underrepresented in many parts of the sector.
The day is made up of three events highlighting women’s accomplishments and perspectives from the music industry and will include exclusive access to accomplished industry professionals, music makers and academics and practical workshops exploring the challenges and opportunities in the industry today.
“Women Leading the Way” will feature an expert panel discussion with Apple’s Elena Segal, Glastonbury’s Emily Eavis, and Music Week’s 2023 International Woman of the Year Golnar Khosrowshahi, who will discuss challenges and opportunities facing women. “Future Hitmakers Masterclass”, organised by Girls I Rate, will have successful women songwriters and producers like Carla Marie Williams MBE, Katie Melua, Miranda Cooper and JinJin, offering advice to aspiring creators and reflecting on rising through a male-dominated space. Finally, “For You” will bring together diverse musicians to perform, including members of the YWMP’s Team Drum and London’s F-Choir, celebrating gender minorities and cultural heritage within music.
This day is part of a rich programme of research and events leading up to the launch of The Schwarzman Centre — a dynamic hub dedicated to the humanities where world-leading research will take place alongside arts and cultural activities. The centre will transform the way Oxford teaches, researches, and shares the humanities with the world, and is due to open in 2025.
This is a significant moment for culture in Oxford and the cultural programme is committed to ensuring everyone, from all backgrounds, can participate in the joy and power of the arts. Currently, women remain underrepresented in many areas of the music creation process, as highlighted in the recent House of Commons Committee report on Misogyny in Music. Women, trans and non-binary producers make up less than 3% of the industry, and for those whose identities intersect several protected characteristics, the figures are even lower. The Oxford Cultural Programme hopes the event will inspire positive change and encourage everyone to “Come as you are.”
For more information about the event and to book tickets, visit the Oxford Cultural Programme website here.
The true story of the Calendar Girls launched a global phenomenon: a million copycat calendars, a record-breaking movie, the fastest-selling stage play in British theatre history, and now a musical written by Gary Barlow and Tim Firth.
Tim Firth’s involvement with Calendar Girls began with the original movie 20 years ago and along with his writing partner of the musical, Gary Barlow, he has reworked this new production ahead of an extensive UK tour. Tim tells us a little about the new musical and the inspiration behind its reimagining.
“There was something in the heart of lockdown that was all about time; about suddenly being dumped with a container load of it, about managing that, not resenting it, realising you were lucky to have it and not to waste it…if you were well enough to enjoy it. Of course, it’s only looking back that we can get that kind of perspective. For the pair of us it just presented as an inexplicable urge to DO stuff; to write, to plot new work and to re-examine work that already existed. This led us to new projects; it also turned our heads back towards Calendar Girls the Musical.
Now, by this time it was a good few years since we had written the show and there was justifiable trepidation in returning to the project. After all it had been in the West End, done a national tour and was due to be performed by many companies around the UK if lockdown finished. However, that UK was going to have changed. A strange sense of liberation came out of the confinement that meant, we thought – whatever you’re thinking, just try it. Take the chance. Have a fresh look. Take the jump.
Maybe we’ll never get that sense of empowerment again. It was like the bravery you have when starting out as a kid and feel you have nothing to lose. That was it; the spirit we momentarily regained meant we re-wrote like we had nothing to lose. In a sense we were led by the words of Dare, one of the songs in the show; something about taking a jump without the fear meaning you stand a better chance of making a landing on the other side.
The film is twenty years old this year, the real girls more than twenty years older but their story, like their sunflowers, seems to keep reseeding of its own accord; and when it does, the flower is always, always the same. It’s only the shape that changes.”
After opening to rave reviews in the autumn, the brand-new production of the smash-hit production Calendar Girls the Musical, written by Gary Barlow and Tim Firth comes to Woking from Tuesday 26 to Saturday 30 March.
Calendar Girls the Musical brings together a stunning cast of music, stage, and television stars. Baring it all in 2024 are Laurie Brett (Eastenders) as Annie, Liz Carney (The Full Monty, The Mousetrap), Helen Pearson (Hollyoaks), Samantha Seager (Coronation Street), Maureen Nolan (The Nolans, Blood Brothers), Lyn Paul (The New Seekers, Blood Brothers) and Honeysuckle Weeks (Foyle’s War). They are joined by Colin R Campbell, Andrew Tuton, alongside Jayne Ashley, Lucas August and Victoria Hay in the ensemble.
Following the death of a much-loved husband, a group of ordinary women in a small Yorkshire Women’s Institute are prompted to do an extraordinary thing and set about creating a nude calendar to raise money for charity. But upturning preconceptions is a dangerous business and none of the women are prepared for the emotional and personal ramifications they will face as the fabulous and funny calendar brings each woman unexpectedly into flower.
This production sees this incredible true story continue to bloom, this reimagined book and new music sees the show packed with unforgettable songs, bringing the joy to life live on stage.
Tim Firth and Gary Barlow said: “The chance to look again with fresh eyes at our musical is something that came as an unexpected opportunity during lockdown and we’re both hugely excited not only with the shape we found, but also to work on a new production of it with such an amazing cast”
This tour is proud to be supporting Blood Cancer UK, the charity dedicated to funding research into all blood cancers including leukaemia, lymphoma, and myeloma, as well as offering information and support to blood cancer patients. Every performance continues to add to the millions already raised for Blood Cancer UK and prove that there is no such thing as an ordinary woman.
Calendar Girls is at the New Victoria Theatre, Woking from Tuesday 26th March – 30th March
Tickets are on sale visit here for booking links and more information.
Renowned artist kOrky Paul, based in Oxford, is set to bring his much-anticipated artistic flair to the city’s upcoming summer OxTrail at the Westgate Shopping Centre next month.
Widely known as the illustrator of the beloved Winnie and Wilbur children’s books, Paul will showcase his talent by painting an ox during a special ‘first-look’ event scheduled for Saturday, March 2nd, and Sunday, March 3rd.
Local shoppers and families will have the unique opportunity to witness the acclaimed illustrator at work on the upper level of the Westgate Shopping Centre, near John Lewis and Next, from 10 am to 4 pm.
OxTrail, Oxford’s inaugural art sculpture trail in support of Sobell House Hospice, is slated to transform the city from July 6th, 2024, for an eight-week duration. Earlier this month, a herd of 135 oxen, varying in size, was delivered to Oxford Brookes University Harcourt Hill Campus with assistance from RAF Brize Norton. The RAF team facilitated the unloading and preparation of the oxen for further transportation, while logistics partner Darcica ensured their safe delivery to participating artists for decoration.
As part of this year’s OxTrail learning program, Oxford Brookes University will host a special event this week for participants to collect their oxen.
In December, artist David Melling unveiled the first painted ox, named ‘Orox,’ at the Westgate Shopping Centre. Orox is currently on display at Sobell House Hospice until the official trail launch in July.
Amelia Foster, CEO of Sobell House Hospice Charity, expressed excitement about OxTrail’s aim to foster creativity across Oxfordshire. The viewing gallery at Westgate offers the public a glimpse behind the scenes of the remarkable artistry leading up to the main event in July.
In a significant display of support from local businesses, Westgate Shopping Centre generously provided space to showcase a sneak peek of the life-size ox sculptures that will feature in OxTrail. The exhibition space celebrates the exceptional talent involved in the project.
OxTrail is a collaboration with Wild in Art, known for bringing streets to life with installations in cities worldwide, including Manchester, Sydney, Cape Town, and São Paulo.
Following the trail’s conclusion, kOrky Paul’s life-sized ox, along with others, will be auctioned off to find their forever homes, with proceeds contributing to the vital care services offered by Sobell House Hospice.
Academic, TV presenter and author Alice Roberts tells us about her Crypt theatre show, based on her latest book, which visits Guildford’s G Live and Wycombe Swan this month…
Q: Hello Alice. You’re taking your new show, Crypt on the road. What is it about?
“The show is all about my new book, Crypt, illustrated with lots of great images and packed full of intriguing stories and surprising revelations. I’d like to say it’s an all-singing, all-dancing romp through the worst injuries and diseases of the Middle Ages, but – my audiences will be thankful – there’s no singing and dancing in it. But I can promise plenty of plague, syphilis and leprosy, gruesome murders, archery and sword fights. Crypt is the final instalment in a trilogy that started with my books Ancestors and Buried. It pulls together some of the threads from the first two books but also moves us on in time. Ancestors focused on prehistory, while Buried was about the first millennium: Romans, Anglo Saxons and Vikings. With Crypt, I move into the Middle Ages, but once again I’m looking at how archaeology is being radically transformed by new science, from chemical techniques which allow us to analyse tooth composition and work out where out where somebody grew up, to ancient DNA – where we’ve now entered the era of “archaeogenomics”.
Q: Can you tell me more about why ancient DNA is so exciting?
“Yes – we’re now sequencing entire genomes – in other words the entire set of genetic information contained in an organism. And that’s providing us with all sorts of revelations when it comes to human history – allowing us to trace family relationships between individuals in cemeteries and communal tombs, and to track migration in the past. But the focus in Crypt is on diseases and what this genetic investigation can tell us about them. It’s completely transforming our understanding of how diseases have affected human societies in the past because we’re suddenly able to make definitive diagnoses using DNA – and see how diseases have changed genetically over time, too. During COVID, we used similar techniques – PCR and sequencing – to test for the disease and to track the emergence of new mutations and strains of the virus, and we can do the same with ancient pathogens.”
Q: Does it have any relevance to today?
“Yes, absolutely. It means we can understand the impact of disease on past populations much better – and that’s very useful information for archaeologists and historians, but it also means we understand more about how diseases actually work.”
Q: Do you draw comparisons between disease in the Middle Ages and COVID?
“Not explicitly, but it’s interesting to look at how epidemics and pandemics emerged and spread in the past – and how society responded. You might think that, 500 years on, we’d be dealing with infectious disease very differently – but actually, up until the point we had vaccines, the only protection we had available was similar to what people had in the Middle Ages – quarantining, keeping away from people, wearing a mask.”
Q: Do you look at how diseases were treated in the past?
“Yes – I’m interested not only in how we can use new science to look at old diseases but also the experience of those individuals with diseases – how they were treated by society and the management options available to them. If you had leprosy, for example, there was certainly no curative treatment available but there were hospitals – more like the hospices of today – where you could be cared for.”
Q: What is the genome research you cover in the book and talk about in the show?
“I focus on the exciting 1000 Ancient Genomes Project at the Francis Crick Institute in London, led by Pontus Skoglund – and already generating some incredible results. It’s the most ambitious ancient DNA project in Britain to date. But there’s lots of other genetic research mentioned in the book, too.”
Q: Can you give us an example?
“One really fascinating case is the Justinianic Plague of the sixth century CE. Through DNA research, we now know that the three big pandemics of history – the 19th-century Hong Kong Plague, the 14th-century Black Death and the Justinianic Plague – were all caused by the same pathogen, Yersinia pestis. It’s a great example of how DNA can lead us to a precise diagnosis of diseases in the past – and a sobering lesson about how diseases can lie dormant for centuries, then re-erupt into a pandemic. If we can understand why that happens – that will help us combat disease today.”
“I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up.”
Q: Do the audience need to be science boffins to follow the things you mention?
“Definitely not. I’m interested in sharing science in a way that’s detailed and interesting but accessible to everyone. That’s not about dumbing down – but just about explaining technical terms and not using impenetrable jargon! I want to open up this amazing science and history – to tell these brilliant stories and reveal secrets – without talking down to people.”
Q: What else happens in the show?
“I can promise a very entertaining evening, which may sound weird to say when it’s about death and disease. There’s a lot of new science, and it really is this collision of science and history that for me is very exciting. There’s also a Q&A with the audience and a book signing afterwards.”
Q: Has an audience member ever asked a question in a Q&A that stumped you?
“Yes, of course! There have been times when I’ve genuinely never thought of a particular question and it’s really exciting to be challenged. I find that with my university teaching too – I love being asked interesting questions. If I can’t answer a question, it means I either have to go away and find out – or if the answer doesn’t exist that could be a whole new avenue for research. And some questions can be more philosophical or ethical – and those questions invite everyone in the audience to form an opinion.”
Q: You’re a qualified doctor, who once treated living patients. Do you think of the skeletons you work on as dead patients, as it were?
“Yes I do. When I’m looking at a skeleton I’m not just looking at a bunch of old bones, I’m very much looking at a person. I’m looking for the traces of that life, written into the bones. It’s a kind of biography.”
Q: You’ve packed a lot into your career – doctor, academic, author, television presenter, artist and now children’s author. Do you have a favourite?
“I enjoy all the strands of my career, and feel very lucky to be exploring ideas I find fascinating in my writing and broadcasting – and sharing those ideas with an enthusiastic audience. The different aspects of my work might seem quite separate, but they all flow together. I started writing because of television, and I started doing television because of my academic work, by writing bone reports on Channel 4’s Time Team, back in the day. I really enjoy the teamwork and camaraderie when I’m making documentaries, but I also enjoy the monastic solitude of writing, and I also love teaching medical students. It sounds like a lot of different things, but they all inform each other and are quite synergistic. I also really enjoy ranging across different disciplines – bringing together ideas from biology and history, genetics and archaeology.”
Q: Will people get to see your art in the show?
“I’ve drawn chapter headings for the new book, so I’ll certainly be sharing those images. I’ve always enjoyed art, but have been making more time to develop new techniques and use new media in recent years, and I’ve recently been made an honorary academician of the Royal West of England Academy. I offer some of my artwork as giclee prints which people can buy via my website.”
Q: What projects are you working on at the moment?
“I’m writing the sequel to my children’s novel Wolf Road, and I’m currently working on a series for History Channel called Royal Autopsy, where we explore the medical histories and causes of death of various monarchs. We’ve already autopsied Elizabeth I and Charles II, and in the new series we’ll delve into the insides of Henry IV, Mary Tudor, Queen Anne and George IV. We interrogate what was written about their deaths at the time, but also approach them with modern eyes. There’s also a new series of Digging for Britain – series eleven – and it will be available on iplayer, of course – where viewers can also catch up with my earlier landmark series such as Ice Age Giants and the Incredible Human Journey. I’ve also got an exciting programme on the Herculaneum scrolls coming soon on Channel 5. And I’m very much hoping to embark on a science podcast soon with my good friend, the geneticist and broadcaster Adam Rutherhood. So I’m keeping myself busy!”
Q: You’re famously part of the campervan community– how did that start?
“It’s all down to the wonderful, late Professor Mick Aston, of the University of Bristol and Time Team fame, who used to have a campervan which he used to drive to filming locations. I bought it from him – it was a very special Type 25 Syncro – and I sprayed it a lurid green! I’m now the proud owner of a slightly younger VW T5 California. I love campervanning – heading off on adventures, and not necessarily knowing where I’ll end up!”
Q: Do you use your camper van when you’re on tour?
“Yes I do – on my last book tour I stayed in some fantastic campsites across the UK. I had a great time touring round northern Ireland and found some really special places to stay in the Yorkshire Dales too. Our ancient ancestors were nomadic hunter-gatherers – perhaps that’s why I love camping so much!”
